Hollywood has lost the plot when it comes to romantic comedies. Backin the genre’s golden years, actresses with solid acting chops and modest looks(Rosalind Russell, Katharine Hepburn) won over audiences by playing terrificcharacters that female audiences could identify with. These days, female leads in romantic comediestend to be cookie-cutter beautiful with shallow, egocentric issues that havelittle to do with the day-to-day concerns of real women.
This is not the case in Sawako Decides (川の底からこんにちは / Kawa no soko kara konnichi wa, 2010), where the main leading lady ranksherself as “lower middle” in the spectrum of women. Sawako has average looks, meagre self esteem,and is lacking in professional ambition. In the five years since she left her home town for Tokyo after a falling out with herwidowed father, she has suffered through five dissatisfying jobs and is in herfifth disappointing relationship after being dumped by her previous fourboyfriends. She seems to be stuck in acyclical rut when she gets word that her father is terminally ill with cirrhosisbrought on by heavy drinking.
Sawako resists moving back to her home town to support her dyingfather and his wayward brother because it means having to face up to unresolvedproblems from her past, but her recently divorced boyfriend Kenichi coerces herinto going. Kenichi is looking for afresh start for his life with his young daughter and sees potential in Sawako’sfamily business of packing freshwater crabs. His daughter Kayoko, with her big mournful eyes, is more cautious thanher father, but ultimately will be the first person to really connect with Sawako.
The choices that Sawako faces in this film are difficult and herdecisions are not predictable, which only serves to make her character all themore human and likable. HikariMitsushima (Love Exposure, Kakera) brings her trademark shy charm to the role andcontrasts well with the more brash female characters such as her old childhoodfriend with a grudge and the gaggle of crab-packing women who are determined tomake Sawako suffer a bit for her past sins before welcoming her back into thefold. The wacky, screwball aspects of YūyaIshii’s film keep it from wallowing too long in self-doubt and misery – though theunlikely subplot of a random Tokyo graduate student seducing a married fishermanshould have been left on the cutting room floor.
All in all it is an enjoyable filmthat reminds us that no matter how average a person is, they need only workhard and look out for others in their community to enjoy a successful life. As Sawako's family vegetable patch demonstrates, sometimes the most beautiful flowers can grow in the biggest dung heap.
Director and Screenwriter
Yūya Ishii
Cinematographer
Yukihiro Okimura
Original Music
Chiaki Nomura
Cast
Sawako
Hikari Mitsushima
Kenichi
Masashi Endo
Kayoko
Kira Aihara
Tadao
Kotaro Shiga
Nobuo
Ryo Iwamatsu
Catherine Munroe Hotes 2011
