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Wednesday, November 16, 2011

Radioactivists – Protest in Japan since Fukushima (2011)



The earthquake and tsunami of March 11, 2011 and the ensuing nucleardisaster were a wake-up call not only for the citizens of Japan but for peoplearound the world living with nuclear energy. If a catastrophe of this magnitude could happen in a country astechnologically advanced as Japan, then surely it could happen closer to home.  The notion that local governments are looking out for the best interests of the people when it comes to nuclear energy has been forever destroyed by this event.

One of the countries most deeply impacted byincreased anti-nuclear sentiment in the wake of the Japanese disaster has been Germany, where the government waspressured into announcing a commitment to abandon nuclear power on May 30,2011. By chance, two young politically aware Germans, Julia Leser andClarissa Seidel, were in Japan during the catastrophe.  Leser, a student of Japanology and politicsat Leipzig University, had just completed a year abroad at Waseda.  Her friend Seidel, a recent media studies graduate, had joined her for a short holiday. Two days after the earthquake hit, the two returned to Germany where theywere frustrated about the lack of media coverage of the growing anti-nuclearmovement in Japan that they were following on websites like J-Fissures and Shirōtono Ran.  Inspired by the by this, Leser and Seidel returned to Japanwith a camera to make their first documentary: Radioactivists – Protest in Japan since Fukushima (2011)

Radioactivists focuses exclusively on the reaction to the nuclear disasterin Tokyo.  The first Shirōto no Ran (素人の乱/Revolt of theAmateurs) demonstration was held in Koenji on April 10th.  With anestimated 15,000 people in attendance, it was the largest protest of its kind inJapan since the 1970s.  Seidel and Lesertell the story through lively footage of the protests and the testimony of thekey figures organizing the movement: Hajime Matsumoto, an entrepreneur and activist who founded the Shirōtono Ran movement, the writer Yoshihiko Ikegami who is editor in chief of politicalmagazine Gendai Shisō, and Keisuke Narita, an anarchist, activist, and owner ofa DIY-Infoshop in Shinjuku.  Thepolitical and social ramifications of this movement are put into context in thefilm by interviews with the political scientist Chigaya Kinoshita and thesociologist Yoshitaka Mōri.
Matsumoto painting a flag with the word "KAISAN" (解散/dissolution) on the front step of his recycle shop.

For first time documentary filmmakers, I was impressed that Leser and Seidel were able to whittle down  over 20 hours of footage into a neat 72 minutefilm.  Apart from some ineleganttransitions between sections of the film, it is a strong documentary with a nicebalance of information and images.  Theemphasis is firmly placed on giving voice to the concerned citizens ofTokyo with the filmmakers themselves content to stay behind the lens.  The behind-the-scenes footage ofthe organization of the second protest in Shibuya in May shows thejocular good-will of the organizers to get as many people as possible to joinin the demonstration while at the same time doing their best not to irritate thepolice or the park attendants of Yoyogi Park. 
Prof. Steffi Richter with Clarissa Seidel and Julia Leser at Japan Week, Frankfurt am Main

The audience at Japan Week for the premier of Radioactivists last Saturday was a lively crowd with many  activists in attendancewho had attended Occupy Frankfurt earlierthat day.  It was aneye-opening experience for many to realize how lucky they were with theirability to protest openly in Germany compared to the much more tightlyregulated protests in Japan.  For example, in Japan the police are able to detain people without charge for upto 23 days – a time period which can lead to innocent people losing their jobsif applied injudiciously by police. 

Although Radioactivists makes the large numbers of police at the demonstrations look out of proportion to the peaceful nature ofthe protesters and allows Keisuke Narita to share his grievances about policebehaviour, on the whole the film tries to maintain a positive impression of thefirst three Shirōto no Ran demonstrations.  This is not an anti-police or anti-government film, but a documentation of a group of people entreaty to their fellow citizens to join them in their call for an end to the use of nuclear energy in Japan.  The promotion of good will is aided in a large part by the participation of Human Recovery Project, a network of punk and rock bands who do charity work in the Tohokuregion.  The musicians add acelebratory, festival atmosphere to the marches.  The most moving moment in the film for me was a heartfelt performance of Kiyoshiro Imawano's anti-nuclear cover version of Eddie Cochran's  "Summertime Blues". 


Radioactivists is really just a snapshot of the anti-nuclearmovement in Tokyo between March and June. Due to budgetary constraints, the makers were unable to travel to citieslike Osaka and Kyoto where anti-nuclear protest has also been significant.  The film ends with footage of the thirddemonstration in June as it winds along the streets of Shinjuku.  Since Leser and Seidel finished shooting thefilm in June, the demonstrations have continued on a bi-monthly basis with moreand more participants at each event.  Formore information about the documentary and updates on the protests, you canfollow the filmmakers on Twitter or on their blog.  I do hope that the filmmakers are inspired / get the funding to make a sequel.


16 January 2012 UPDATE: This film is now available on DVD with Japanese, English, German, and Spanish subtitles.  Click here for more details.

RADIOACTIVISTS – Protest in Japan since Fukushima
Germany/Japan 2011, 72 min.

Directed + Produced by:
Julia Leser + Clarissa Seidel
Editor:
 Clarissa Seidel
Additional Photography:
Arseny Rossikhin
Associate Producers:
Roger Zehnder
Yoshihiro Akai
Graphic Design:
Clemens Berger
René Hänsel
Original Music:
Junsuke Kondo
We Want Wine
ECD
Translation:
Yasuo Akai

Featuring:
Yoshihiko Ikegami
Chigaya Kinoshita
Hajime Matsumoto
Keisuke Narita
Yoshitaka Mōri
Human Recovery Project 

Radioactivists had its world premiere on 12 November 2011 at:
This event was sponsored by Nippon Connection: