Ken and Kazu (ケンとカズ, 2011)

 The gritty world of underground drug dealing is a tough, kill or bekilled environment.  Ken and Kazu don’ttalk to each other much as they sit in their vehicle, waiting for customers totap on the window.  They keep thingsimpersonal and pass the time playing shiritori – a word game where one personsays a random word, then the next person takes the last syllable of that wordand gives a new word using it as their first syllable.

Ken has heard rumours that Kazu wants to get out of the business andbecomes suspicious of the fact that Kazu’s cell phone keeps ringingincessantly.  After a heated exchange, Kazu dropshis touch guy demeanour to reveal that his mother is suffering from Alzheimer’s.   In this moment, we see a brief glimpse of humanitybeneath Ken and Kazu's hard man exteriors.

Their relationship is soon put to the test when the boss man learnsthat someone has been cheating customers by stealing cocaine from eachdeal.  He has already had one of the suspects killedbut decides to test Ken’s loyalty by bringing him in to kill the other person under suspicion: Kazu.  Ken is faced with the game changing decisionof choosing to give his loyalty to his boss or to Kazu.  

Ken and Kazu (ケンとカズ, 2011) isdirected by Hiroshima born filmmaker Hiroshi Shoji (小路紘史, b. 1986),a graduate of the Tokyo Film Center School of Arts.   The film uses a lot of close ups and handheld shots which capture the claustrophobic tension between the men in the cabof the vehicle they use for dealing drugs.  A terrific little film that left me wanting to see more by this director.

Learn more about Hiroshi Shoji here.

Watch a trailer for Ken and Kazu here.

This film screened at Japan Week, Frankfurt am Main on November 5, 2011.

The event was sponsored by Nippon Connection: